A sentimental and affecting story about a connection between children of different cultures.
Psychotherapist Cohn presents an illustrated children’s book, based on real events, about the impact of the war in Ukraine on children.
The author presents a tale of two children’s experiences during the Ukraine conflict. First, readers meet Artem, a Ukrainian boy who flees with his mother to Poland for safety while his father stays behind to fight. Artem and his mother arrive in Przemysl and are soon transported to the Welcoming Center, a shopping-mall-turned-refugee-shelter. There, the boy befriends Paolo, a World Central kitchen volunteer who comforts him with familiar foods, such as potato pancakes, dumplings, and cabbage rolls. Meanwhile, in the United States, a young American girl named Hannah learns about the war and feels concern for Ukrainian children. She decides to raise money for World Central Kitchen by selling potato pancakes, inspired by the Ukrainian dish deruny and the latkes that Hannah ate at her friend Merrill’s Hannukah celebration. Hannah and Merrill make treats dubbed “freedom pancakes” and put them in plastic bags tied with yellow and blue ribbons. The next day, the friends set up a stand on Hannah’s front lawn and sell the pancakes to neighbors, classmates, and church friends, raising “a great deal of money.” Meanwhile, Paolo shares special fruit pouches with Artem, who, in turn, shares one with a new arrival at the Welcoming Center before heading off with his mother to live with a Polish family. Cohn’s story explores community and empathy in a story that offers a heartwarming and gentle way to discuss the war in Ukraine with children. However, some passages may be difficult for some youngsters to understand without more context, as when Hannah thinks about how Hannukah “tells the story of the Maccabees—Jewish freedom fighters—who were victorious in liberating the Jewish people from their Syrian rulers.” Also, some adults may find that the narrative frames a complex humanitarian crisis in somewhat simplistic terms. Ukrainian artist Holubiatnikova’s watercolors evoke the Ukrainians’ intense emotions during trying times and reflect her own firsthand experience working in a war zone.
A sentimental and affecting story about a connection between children of different cultures.Pub Date: Oct. 21, 2024
ISBN: 9798989163571
Page Count: 46
Publisher: Le Chambon Press
Review Posted Online: Nov. 14, 2024
Review Program: Kirkus Indie
BOOK REVIEW
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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