A multifaceted, thought-provoking, and learned exploration of a painful subject.
A nurse specializing in cancer treatment shares her experiences after her son was diagnosed with leukemia in this debut memoir.
Post-White’s son, Brennan, was 4 years old when he became ill. The author began to worry after he started to experience leg and abdominal pains. After they visited a pediatrician, blood tests showed concerning abnormalities. As an oncology nurse, Post-White was aware of the grave significance of her son’s low hemoglobin count and braced herself for bad news. “I was a cancer nurse, researcher, and educator…but I had no training as a cancer mom,” remarks the author in her preface. Her memoir charts each step on Brennan’s road to recovery after his leukemia diagnosis, offering the dual perspectives of a highly trained nurse and a loving mother. Post-White’s writing poses probing questions asked by many whose lives have been touched by cancer, such as “Why Cancer? Why Now? Why Us?” She also explores her young son’s coping process by sharing pictures Brennan drew to express his feelings throughout his treatment. As a medical professional, the author takes a philosophical approach to surviving and facing fears, asking: “Can we ever be prepared for death? Or cancer?” Post-White’s writing is sharply analytical and grounded in actuality: “The reality is that one in ten childhood cancer survivors will have heart disease by the time they are forty.” But the delivery of stark facts is delicately counterbalanced with a profound excavation of personal emotions: “Darkness is a part of life, as it is a part of every rotation of the earth. But some nights felt blacker than others.” The result is a skillfully well-rounded memoir in which the author draws on her own experiences, charts Brennan’s medical and emotional progress, and alludes to the struggles of patients she has treated. While some readers may recognize that several cancer treatments have changed since the late 1990s, when Brennan was first diagnosed, Post-White’s account remains relevant, as contemporary protocols “include many of the same medications, schedules and ‘road maps.’ ” In a marketplace crowded with similar titles, the author’s informative work shares rich layers of a valuable perspective—delivering concise medical explanations, a nurse’s experience and compassion, and tender maternal understanding—making this book stand out from the rest.
A multifaceted, thought-provoking, and learned exploration of a painful subject.Pub Date: Nov. 12, 2021
ISBN: 978-1-4766-8710-0
Page Count: 256
Publisher: Toplight Books
Review Posted Online: April 4, 2022
Kirkus Reviews Issue: June 1, 2022
Review Program: Kirkus Indie
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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