A well-written, beautifully illustrated strategy for lifting up others in the face of bullying.
A group of classmates supports a friend dealing with a bully in this companion children’s book to Sbarboro and Leach’s previous title, The Truest Heart (2018).
In this illustrated tale, a teacher named Miss Work hands out papers with drawings of hearts and announces a class assignment: “I want you to write a strength in this heart that you’ve seen in someone else.” The students—a diverse group representing multiple ethnicities—consider the topic. The assignment helps Jericka and Ze, two brown-skinned classmates, think about how much they appreciate their friendship since the former stopped being mean. Although the assignment resonates, it doesn’t give the students a strategy for responding when Kaisley bullies Jericka. Surprisingly, a math lesson provides the answer they need: It doesn’t take much to tip a scale. When Kaisley next bullies Jericka, some classmates interrupt with warm words about the latter’s strengths until their kindness surrounds her like a shield. That compassion allows Jericka to see that Kaisley may be a kindred spirit who just needs some encouraging words herself. Sbarboro’s deft depictions of Miss Work’s lessons and the students’ responses to them provide concrete, constructive ideas for creating positive friendships. The way the two classroom subjects work together to bring the lesson home shows the author’s keen insight into school dynamics. But because so many students share the spotlight, young readers may have trouble identifying the main character, particularly if they haven’t read the first book. Leach’s cartoon images, particularly her depiction of Kaisley, are incredibly effective. At the beginning, Kaisley is outlined like a child but filled with gray. It’s only when Jericka begins to see her as a person and offers her words of kindness that Kaisley’s features are defined. The sympathetic words, portrayed as swirls of color, perfectly capture the emotion of what it feels like to receive praise.
A well-written, beautifully illustrated strategy for lifting up others in the face of bullying.Pub Date: N/A
ISBN: 978-0-9992420-4-9
Page Count: -
Publisher: Montgomery Publishing Company
Review Posted Online: Feb. 4, 2020
Kirkus Reviews Issue: April 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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