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HIS BANNER OVER ME

From the author of Bats About Baseball (p. 713) and so many other works, another example of exceptional storytelling, unforced and powerful. Here she carves slices of the family history of the GauldsCanadian missionaries in Taiwanwhose heroine is Little's mother. Readers meet her when she is five and living in Taiwan and follow her through the big and little episodes of her life, real and half-real, sad departures and happy reunions, her move to Canada at age nine, and another move to her aunt's as a young teenager, where she is surrounded by a crowd of brothers, sisters, and assorted relatives. The book ends when she is 17, after providing a sketch of everything that happened later. A work of fiction based on true events, Little's narrative is a complicated, remarkably cohesive work, with a variety of characters, emotions, settings, and ideas. Little gives the impressionbecause she does not try to fill in all the events, but simply lands here and there, and because she does not deliberately flesh out the characters, but rather talks about them as if they are people readers already knowthat the stories are part of much larger context. The book becomes steadily more difficult to put down; the ease with which the narrative unfolds, the confidence with which Little avoids unnecessary explanations, and the sense of authority with which she takes any liberty she wantsit's extraordinary. (Fiction. 11+)

Pub Date: Sept. 1, 1995

ISBN: 0-670-85664-9

Page Count: 207

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1995

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THE CLAY MARBLE

Drawing on her experience with a relief organization on the Thai border, Ho tells the story of a Cambodian family, fleeing the rival factions of the 80's while hoping to gather resources to return to farming in their homeland. Narrator Dara, 12, and the remnants of her family have arrived at a refugee camp soon after her father's summary execution. At first, the camp is a haven: food is plentiful, seed rice is available, and they form a bond with another family- -brother Sarun falls in love with Nea, and Dara makes friends with Nea's cousin, Jantu, who contrives marvelous toys from mud and bits of scrap; made wise by adversity, Jantu understands that the process of creation outweighs the value of things, and that dead loved ones may live on in memory. The respite is brief: Vietnamese bombing disrupts the camp, and the family is temporarily but terrifyingly separated. Later, Jantu is wounded by friendly fire and doesn't survive; but her tragic death empowers Dara to confront Sarun, who's caught up in mindless militarism instigated by a charismatic leader, and persuade him to travel home with the others—to plant rice and build a family instead of waging war. Again, Ho (Rice Without Rain, 1990) skillfully shapes her story to dramatize political and humanitarian issues. The easily swayed Sarun lacks dimension, but the girls are more subtly drawn—Dara's growing courage and assertiveness are especially convincing and admirable. Touching, authentic, carefully wrought- -and with an unusually appealing jacket. (Fiction. 11-15)

Pub Date: Oct. 1, 1991

ISBN: 0-374-31340-7

Page Count: 163

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1991

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DANIEL'S STORY

After witnessing the rising tide of anti-Semitism in Nazi Germany, Daniel is suddenly transported, at age 14, from his comfortable life in Frankfurt to a Polish ghetto, then to Auschwitz and Buchenwald—losing most of his family along the way, seeing Nazi brutality of both the casual and the calculated kind, and recording atrocities with a smuggled camera (``What has happened to me?...Who am I? Where am I going?''). Matas, explicating an exhibit of photos and other materials at the new United States Holocaust Memorial Museum, creates a convincing composite youth and experience—fictional but carefully based on survivors' accounts. It's a savage story with no attempt to soften the culpability of the German people; Daniel's profound anger is easier to understand than is his father's compassion or his sister's plea to ``chose love. Always choose love.'' Daniel survives to be reunited, after the war, with his wife-to-be, but his dying friend's last word echoes beyond the happy ending: ``Remember...'' An unusual undertaking, effectively carried out. Chronology; glossary. (Fiction. 11-14)

Pub Date: April 1, 1993

ISBN: 0-590-46920-7

Page Count: 128

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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