by Jeannine Atkins ‧ RELEASE DATE: Aug. 30, 2016
Inspirational and informative, Atkins shows how pursuing one’s passion for science, math, or any field considered...
The verse biographies of three pioneering women who made their marks on science.
Atkins here introduces young readers to three women who bucked convention and distinguished themselves in scientific disciplines at times in history when females were expected to engage in domestic pursuits. German-born Maria Sibylla Merian (1647-1717), who defied the then-accepted notion of spontaneous generation and discovered how caterpillars become butterflies, is still considered one of the foremost entomologists of her day; Brit Mary Anning (1799-1847) discovered the first ichthyosaur and was the first person known to make a living selling fossils; and Maria Mitchell (1818-89) discovered a comet in 1847 and went on to become the first woman in the United States to work as an astronomer. Though they were born in different centuries and lands, Atkins adroitly employs spare yet lyric poems to imagine the similar development of these path-breaking white women, whom she imagines taking the leads of their fathers in cultivating their curiosity and having the courage to believe that: “Discoveries are made / by those willing to say, Once we were wrong, / and ask question after question.” Atkins takes the license verse grants to “fill in what disappeared” from what remains of her subjects’ childhoods, creating captivating fictionalized portraits.
Inspirational and informative, Atkins shows how pursuing one’s passion for science, math, or any field considered nontraditional is worth the risk. (author’s note, bibliographic essay, bibliography) (Verse historical fiction. 10-14)Pub Date: Aug. 30, 2016
ISBN: 978-1-4814-6565-6
Page Count: 208
Publisher: Atheneum
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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by Sara Pennypacker ; illustrated by Jon Klassen ‧ RELEASE DATE: Sept. 7, 2021
An impressive sequel.
Boy and fox follow separate paths in postwar rebuilding.
A year after Peter finds refuge with former soldier Vola, he prepares to leave to return to his childhood home. He plans to join the Junior Water Warriors, young people repurposing the machines and structures of war to reclaim reservoirs and rivers poisoned in the conflict, and then to set out on his own to live apart from others. At 13, Peter is competent and self-contained. Vola marvels at the construction of the floor of the cabin he’s built on her land, but the losses he’s sustained have left a mark. He imposes a penance on himself, reimagining the story of rescuing the orphaned kit Pax as one in which he follows his father’s counsel to kill the animal before he could form a connection. He thinks of his heart as having a stone inside it. Pax, meanwhile, has fathered three kits who claim his attention and devotion. Alternating chapters from the fox’s point of view demonstrate Pax’s care for his family—his mate, Bristle; her brother; and the three kits. Pax becomes especially attached to his daughter, who accompanies him on a journey that intersects with Peter’s and allows Peter to not only redeem his past, but imagine a future. This is a deftly nuanced look at the fragility and strength of the human heart. All the human characters read as White. Illustrations not seen.
An impressive sequel. (Fiction. 10-14)Pub Date: Sept. 7, 2021
ISBN: 978-0-06-293034-7
Page Count: 256
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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by Sara Pennypacker ; illustrated by Matthew Cordell
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by Sara Pennypacker ; illustrated by Maria Frazee
by Michelle Kadarusman ‧ RELEASE DATE: April 28, 2020
A beautiful conservation story told in a rich setting and peopled with memorable characters.
Unlike the rest of her nature-obsessed family, Louisa wants to be a musician, not a biologist.
But when Louisa’s mother finds out that the Australian government is about to destroy the Tasmanian rainforest camp their family has managed for decades, she insists that Louisa leave Toronto and spend the summer on the strange, small island with her even stranger uncle Ruff. But when Uncle Ruff gives Louisa a copy of her great-grandmother’s journal, Louisa becomes fascinated with her family’s history of secretly protecting endangered species, including the mysterious Tasmanian tiger, widely regarded as extinct. With the help of her new friend and neighbor Colin—a boy who has autism spectrum disorder—Louisa deepens her connection with her family’s land, with history, and with her love of music. Kadarusman masterfully creates a lush, magical world where issues associated with conservation, neurodiversity, and history intersect in surprising and authentic ways. The book’s small cast of characters (principals seem all White) is well drawn and endearing. Crucially, the author acknowledges the original, Indigenous inhabitants of the land as experts, something rarely seen in books about environmental degradation. Louisa’s narratorial voice strikes the right balance of curiosity, timidity, and growing confidence, and her character’s transformation feels both incredibly natural and incredibly rewarding to behold.
A beautiful conservation story told in a rich setting and peopled with memorable characters. (Fiction. 10-14)Pub Date: April 28, 2020
ISBN: 978-1-77278-054-3
Page Count: 192
Publisher: Pajama Press
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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