by Jeannine Atkins ‧ RELEASE DATE: Jan. 10, 2017
A fascinating, tantalizing glimpse.
Edmonia Lewis was a noted African-American sculptor whose career begins in this verse novel set in the late 1800s.
Edmonia, who is of African-Haitian and Ojibwe descent, is attending the newly racially integrated Oberlin College in 1862. The story opens immediately with a secret romance that barely has a chance to blossom, as a startling scandal arises when Edmonia is accused of the attempted murder of two white female students she had befriended. Though she is acquitted, Edmonia’s character is permanently scarred by the event, and she is forced to leave Oberlin before graduating. Fate connects Edmonia to mentoring from accomplished sculptors, which leads her to travel to Rome, a place where she flourishes to become an internationally known sculptor. From sparse historical records, Atkins creates a memorable, poetic tale that offers a fictional account of what life may have been like for Edmonia, backgrounding this with solid research into the era. Stories of doomed love, in particular the biblical tale of Hagar, act as thematic touchstones, and her determination to sculpt Cleopatra forms the story’s spine. Atkins’ compressed verse evokes both the racial realities of the time, including violence, and the artistic process: “Art is made of questions and craft. / What she doesn’t know shapes her work / along with the hope that someone believes / in her.” Atkins describes her process in an author’s note.
A fascinating, tantalizing glimpse. (bibliography) (Verse historical fiction. 12-18)Pub Date: Jan. 10, 2017
ISBN: 978-1-4814-5905-1
Page Count: 176
Publisher: Atheneum
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Renée Watson & Ellen Hagan ‧ RELEASE DATE: Feb. 12, 2019
A book that seamlessly brings readers along on a journey of impact and empowerment.
A manifesto for budding feminists.
At the core of this engaging novel are besties Chelsea, who is Irish- and Italian-American and into fashion and beauty, and Jasmine, who is African-American, loves the theater, and pushes back against bias around size (“I don’t need your fake compliments, your pity. I know I’m beautiful. Inside and out”). They and their sidekicks, half-Japanese/half-Lebanese Nadine and Puerto Rican Isaac, grow into first-class activists—simultaneously educating their peers and readers. The year gets off to a rocky start at their progressive, social justice–oriented New York City high school: Along with the usual angst many students experience, Jasmine’s father is terminally ill with cancer, and after things go badly in both their clubs, Jasmine and Chelsea form a women’s rights club which becomes the catalyst for their growth as they explore gender inequality and opportunities for change. This is an inspiring look at two strong-willed teens growing into even stronger young women ready to use their voices and take on the world, imploring budding feminists everywhere to “join the revolution.” The book offers a poetic balance of dialogue among the main characters, their peers, and the adults in their lives. The exquisite pacing, which intersperses everyday teen conflicts with weightier issues, demonstrates how teens long to be heard and taken seriously.
A book that seamlessly brings readers along on a journey of impact and empowerment. (resources for young activists, endnotes) (Fiction. 12-18)Pub Date: Feb. 12, 2019
ISBN: 978-1-5476-0008-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Jan. 22, 2019
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by Renée Watson ; illustrated by Sherry Shine
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by Renée Watson ; illustrated by Bea Jackson
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