A beautiful ode to friendship that brings Browning’s rhythms to kids’ level.
Three diverse children adapt Elizabeth Barrett Browning’s Sonnet 43 from love poem to celebration of friendship.
A pale girl with black hair in pigtails, a light-brown–skinned boy with brown hair and glasses, and a dark-brown–skinned girl with afro puffs atop her head are clearly the best of friends, often holding hands or otherwise touching in the mixed-media–and-digital illustrations. Adams has kept what concepts children can understand of Browning’s language, replacing the rest with references to the seasons and kid-friendly language. Instead of “I love thee to the depth and breadth and height / My soul can reach, when feeling out of sight,” Adams offers, “I love thee deep / and wide and high. // I love thee in soft sunlight / and rain-drizzled night.” The former spread shows the trio in a submarine and on a ship at sea. Instead of Browning’s passionate declamations, readers hear, “I love thee by stars / and firelight. // By spring’s first snowdrops // and fall’s red trees // and winter’s frost-etched breath.” The illustrations mix the real and the fantastical: One of the last spreads (“…and at end of day’s goodnight kiss”) portrays the three children suspended from kites, two of them being welcomed by a parent’s arms, the third still drifting toward home. Neal’s friendly, matte artwork is softly colored in earth tones. The final page tells a little about Browning and gives the original text of Sonnet 43.
A beautiful ode to friendship that brings Browning’s rhythms to kids’ level. (Picture book. 4-8)Pub Date: Dec. 18, 2018
ISBN: 978-0-06-239444-6
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
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