by Jennifer Finney Boylan ‧ RELEASE DATE: Aug. 1, 2003
Serious, real, funny. Told so disarmingly that it’s strong enough to defang a taboo. (Photographs)
The limpid, soul-rich story of novelist James Boylan (Getting In, 1998, etc.) becoming Jennifer Boylan.
From early on, Boylan says, the idea “that I was in the wrong body, living the wrong life, was never out of my conscious mind—never.” In the beautifully guileless way he has of describing his feelings, he recounts wearing women’s clothes—“I’d stand around thinking, this is stupid, why am I doing this, and then I’d think, because I can’t not.” Because he has mercifully inherited the buoyant optimism of his mother, an optimism that will serve him well over the years to come, he is able to recount, with comic aplomb, such tidbits as, “Earlier in the evening I’d sat on a chair in that room wearing a bra and reading Lord of the Rings.” He was 16. He figured if he had sex, then his sense of himself might change, or if he fell in love, maybe then. Well, he does fall in love, with the remarkable Grace, and they have children, and he gets tenure and high marks from his students at Colby, and develops a close friendship with novelist Richard Russo, also teaching at Colby. And he still wants to be a woman. In writing as sheer as stockings, artful without artifice, he explains the process of becoming Jennifer: both the physiological, which has a comfortable tactility, and the emotional repercussions among his nearest and dearest. These aren’t so easy—his wife’s saying, “I want what I had”; his children thinking of him, in the midst of hormonal makeover, as “boygirl”; Russo telling him that Jennifer “seems mannered, studied, implausible.” Yet they all manage the sticky web of circumstance—this mysterious condition—in their own fashion, and that makes them lovable. There’s a particularly poignant moment, when they’re attending a wedding and Grace turns to Jennifer, asking if she wants to dance.
Serious, real, funny. Told so disarmingly that it’s strong enough to defang a taboo. (Photographs)Pub Date: Aug. 1, 2003
ISBN: 0-7679-1404-X
Page Count: 272
Publisher: Broadway
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 1, 2003
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SEEN & HEARD
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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SEEN & HEARD
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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