A mainstream romance that covers well-trod territory.
After surviving a horrific foster home together, a girl is reunited with the boy who always sought to protect her.
Mallory—dubbed Mouse due to her selective mutism—grew up in a foster home with two abusive addicts. The white girl relied on biracial Latino/white Rider, another ward in the home, to keep her safe and serve as her protector. When the violence in the foster home came to a head, 13-year-old Mouse and Rider were removed from it and ultimately separated. When the novel opens, four years have passed, and Mouse has been adopted by Carlos and Rosa Rivas, wealthy physicians, who have dedicated themselves to helping her heal from past trauma and have home-schooled her. Rider, however, is still in foster care and lives a more dangerous life on the wrong side of the tracks. When Mouse enrolls in high school for her senior year, she is reunited with Rider, and though they've gone in opposite directions, their mutual past—and their blazing chemistry—pulls them together. Although the intensity between Mouse and Rider is palpably sizzling, the all-too-conventional trope of the quiet girl and the bad boy is played out in classic formula fashion, sinking in its own clichés. However, die-hard romance aficionados may be able to overlook the boilerplate plotting and simply lose themselves in Mouse and Rider’s smoldering glances and steamy kisses.
A mainstream romance that covers well-trod territory. (Romance. 13 & up)Pub Date: May 17, 2016
ISBN: 978-0-373-21205-7
Page Count: 496
Publisher: Harlequin Teen
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
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