by Jenny Tripp & illustrated by John Manders ‧ RELEASE DATE: May 1, 2007
Screenwriter Tripp’s Disney-esque debut pairs an aging circus poodle and a huge, unhappy bear. Pete, aka Pierre LeChien—“But if you call me Powder Puff, I just might take a piece out of your pants”—is proud to be top dog in Monsieur Moliere’s Performing Pups. That pride takes a hard fall when he’s demoted to the job of Canine Cannonball after twice muffing his old act. But he bounces back with a new plan when Fremont, a hostile, uncooperative young grizzly, is brought in to spice up the “wild” animal show, and shows an unexpected knack for juggling. Can the two whip up a new act that will both revive Pete’s career and keep Fremont out of the zoo? Do you doubt? Manders’s animated, Bill Peet–style illustrations reflect the doggy briskness of Pete’s narrative voice and capture the small-circus setting nicely. Despite their eventual triumph, Pete comes to realize that Fremont will never be happy under the Big Top, and so with help from the circus’s other animal performers, engineers his escape back to the wild. A heartwarming tale of interspecies bonding; you can almost hear the soundtrack. (Fantasy. 9-11)
Pub Date: May 1, 2007
ISBN: 978-0-15-205629-2
Page Count: 192
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
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by Jenny Tripp & illustrated by John Manders
by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
by Chad Morris & Shelly Brown ‧ RELEASE DATE: Oct. 3, 2017
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Chad Morris & Shelly Brown ; illustrated by Garth Bruner
BOOK REVIEW
by Chad Morris & Shelly Brown
BOOK REVIEW
by Chad Morris & Shelly Brown ; illustrated by Garth Bruner
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