Readers who grew up on Lindgren’s stories will find this excellent book irresistible—and often surprising.
Insightful, elegantly written biography of the beloved author of the Pippi Longstocking tales, a complex woman of parts.
“Life is not as rotten as it seems.” It’s not much of an affirmation, but, Danish biographer and literary critic Andersen (Hans Christian Andersen, 2005) suggests, it was about the best that Astrid Lindgren (1907-2002) could do. Born into a family of farmers who instilled in her the virtues of hard work and a certain Nordic stoicism, Lindgren started off as a teenager fresh out of school working as a journalist—and quickly became pregnant by the mercurial editor, who, though “neither a journalist nor an author…could hear the difference between good and bad storytelling.” One wishes for Lindgren’s sake that he had been a better man, but the editor clearly knew that Lindgren had a gift. It was, Andersen writes, a gift laden with psychological insecurities. Without being too obvious about it, many of Lindgren’s stories were about loneliness, isolation, and depression, and while she reckoned, following a researcher’s findings, that Hans Christian Andersen wrote about death in “five-sixths” of his stories, she kept pace: “the same goes for my fairy-tales,” she said, “more or less.” Lindgren wrote in a range of genres, including books for grown-ups that included crime stories, comedies, and fables as well as her famed writings for young readers; many, as Andersen recounts, had a political edge as well as a psychological dimension, some specifically anti-Nazi. A fascinating aspect of the book is Andersen’s theory of the origins of the Pippi Longstocking stories in debates about childhood education, for while Lindgren wrote about the effects of loneliness on children, she also posited a world in which children could play freely, of a kind with and drawing on Alice’s Adventures in Wonderland, Anne of Green Gables, and, unexpectedly, the Superman comic book franchise.
Readers who grew up on Lindgren’s stories will find this excellent book irresistible—and often surprising.Pub Date: Feb. 27, 2018
ISBN: 978-0-300-22610-2
Page Count: 360
Publisher: Yale Univ.
Review Posted Online: Nov. 27, 2017
Kirkus Reviews Issue: Dec. 15, 2017
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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