From an unparalleled artist, another brilliant work.
Caldecott Medalist Pinkney returns to Aesop, recasting the familiar fable as a meditation on the importance of sustaining both body and soul.
As industrious ants ferry seeds and leaves to their colony throughout spring, summer and fall, Grasshopper—a veritable one-bug band with banjo, drum kit and concertina—fishes, frolics and plays. Though he exhorts them to join in, the single-minded ants stick to their tasks. Grasshopper welcomes “the sparkle of first snow,” making “snow angels and snow-hoppers.” In the lonely cold, his bright mood, colorful markings and checkered vest grow dim. He peeks into the ants’ well-lit abode. A gatefold reveals an underground colony humming with activity: Ants stoke a wood stove, spin fiber from leaves and flowers, and prepare a meal. Compassionate Queen Ant appears at the door, offering Grasshopper hot tea. Cozy concluding spreads show everyone making joyful music within, while back endpapers signal a new role for Grasshopper come spring. Pinkney’s four-season watercolor palette is more vibrant than ever. Grasshopper’s iridescent wings contrast with his scarlet instruments; the ants’ earth-brown bodies anchor spreads brimming with lush flowers or whirling autumn leaves. Pinkney’s delightfully forthright artist’s note identifies Grasshopper as “an artist in his own right.” Acknowledging liberties taken with the ants’ size, he includes a thumbnail depicting the actual, relative size of both ant and grasshopper.
From an unparalleled artist, another brilliant work. (Picture book/folk tale. 3-6)Pub Date: April 7, 2015
ISBN: 978-0-316-40081-7
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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