by Jerry Spinelli ; illustrated by Larry Day ‧ RELEASE DATE: May 14, 2019
Despite somewhat inclusive visuals, this book can’t help feeling like it’s stuck in amber. For a true celebration of America...
An exuberant, old-time–y celebration of the Fourth of July.
An energetic young child breathlessly narrates the day, from waking up bursting with excitement to conking out after the fireworks. In between, Spinelli’s nostalgic narrative hits all the expected notes. The child helps prepare the picnic (hot dogs and cherry pie, natch) and loads it into the little red wagon. A train festooned with bunting and pulled by a steam engine crosses Main Street. Once at the park, the family picnics and partakes in all the traditional Fourth of July activities, including face painting, sack racing, a concert in the bandstand, a visit to the zoo (this small-town park is extremely well-appointed), and, of course, the fireworks. Spinelli’s present-tense text combines a childlike voice (“Mama hands me a banana. I’m so excited I forgot to eat breakfast”) with poetic fervor (“My eyes cannot hold the wonders I see. My heart is cheering”). The only nods to patriotism are the abundant flags and mention of standing for “The Star-Spangled Banner.” Day’s small town is a Norman Rockwell–esque place of white frame houses and unleashed, well-behaved dogs. The narrator and family present white, while the narrator’s best friend and some of the other festivalgoers are people of color.
Despite somewhat inclusive visuals, this book can’t help feeling like it’s stuck in amber. For a true celebration of America and its diversity, opt for Stephanie Parsley Ledyard and Jason Chin’s Pie Is for Sharing (2018). (Picture book. 4-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4288-1
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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by Jerry Spinelli ; illustrated by LeUyen Pham
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Susan McElroy Montanari ; illustrated by Jake Parker
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by Susan McElroy Montanari ; illustrated by Brian Pinkney
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