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HEARTS SET FREE

A well-written but mostly predictable Christian novel.

Lederman’s (co-editor: Good Words for the Young, 2016) decades-spanning Christian historical novel tells the story of a group of misfits who find their faith in Las Vegas.

Uukkarnit Noongwook is a Native American Athabaskan from Nenana, Alaska. In 1925, he sets out with his mother to find his father, a dog-sledder-turned-celebrity who absconded to the Lower 48 with a New York reporter. Their search brings them to Nevada, where a silver boom has drawn men from all over. Uukkarnit adopts the name “Luke” and encounters a group of kind Christians who teach him the ways of their faith. Meanwhile, David Gold is a boxer from the Lower East Side of Manhattan who attended the Moody Bible Institute before becoming the sparring partner of heavyweight champion Jack Johnson. He’s seeking an answer to the questions, “Can I love God, not as I want Him to be, but as He is; and what is His will—what does He want of me?” By 1930, David is in Reno, Nevada, where he meets a woman whose small, Las Vegas–based congregation needs a preacher. In 2011, Tim Faber and Joan Reed are the middle-aged producers of the hit documentary series Mysteries of Modern Science. Tim never had any faith, but the once-devout Joan pines for her lost religiosity. They’re making a special about Belgian Catholic priest Georges Lemaître, who was the first to theorize that the universe had once been atom-sized and continues to expand—although, as this book portrays it, he was written out of history by jealous, secular scientists. Joan even suspects that an attempt was made on his life. Now, the producers travel to Las Vegas to meet with Lemaître’s 99-year-old astrophysicist colleague, Luke Noongwook, to get the full story. These separate stories of varied characters come together to form a tapestry of faith, yearning, and wonder at the majesty of the universe. Lederman’s prose is polished and often lyrical, particularly when he voices the characters of Luke and his mother: “Our gods are as harsh as the world around us, they offer no relief,” Luke’s mother says to David and her son. “Tatqim, moon god, lusts after his sister, Seqinek, the sun, and gives her endless chase; their story is an ugliness that mars the beauty of the night. And your god, where is he? Can he, too, be found among the stars?” Even in these moments, however, Lederman tips his hand to reveal the book’s strict Christian worldview, in which atheists are depicted as arrogant fools and other religions are portrayed as being rooted in fear. The book has the expected cameos of historical fiction—including the aforementioned Johnson and pilot Amelia Earhart—which fans of the genre will enjoy, even if they do strain credulity. The overall milieu is attractive throughout, and the novel is often entertaining. However, because it is, first and foremost, a story of rediscovering faith, the ultimate resolution of the main characters’ stories is never really in doubt.

A well-written but mostly predictable Christian novel.

Pub Date: March 12, 2019

ISBN: 978-0-9986030-1-8

Page Count: 398

Publisher: Azure Star, LLC

Review Posted Online: Jan. 22, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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