A battered hero, a memorably creepy villain, a series of false endings worthy of Jeffery Deaver: What’s not to love?
Harry Hole is pulled back home from La-La Land to investigate a series of killings for a most unexpected reason.
Inspector Katrine Bratt, head of the Oslo Police Department’s Crime Squad, desperately wants the help of her ex-lover, a terrible cop who’s also the country’s leading authority on serial killers, when Susanne Andersen and Bertine Bertilsen, both of whom have gone missing, turn up dead and disfigured in a truly ghoulish manner. There’s no way, says her boss, Chief Supt. Bodil Melling: Harry’s already disgraced the department in so many ways that he’ll never work there again. Little do they know that Harry’s already agreed to take the case at the request of real estate mogul Markus Røed, who’s under suspicion because he played sugar daddy to both of the victims. The staggering fee Harry demands is $960,000, exactly the amount that one-time movie actress Lucille Owens owes the Esposito family, whose enforcers Harry’s just rescued her from in Los Angeles. Arriving back home, Harry promptly assembles the Aune Group, a cadre of four helpers even more disreputable than him, and sets them to work knowing that the Esposito family will close Lucille’s account in seven days. Every one of the Aune Group has something to contribute, but they can’t prevent the body count from rising. Like the old pro he is, Nesbø doles out some teasing details about the killer, who calls himself Prim, early on while withholding enough information about Prim’s modus operandi, motive, and true identity to keep the pages fluttering long past bedtime.
A battered hero, a memorably creepy villain, a series of false endings worthy of Jeffery Deaver: What’s not to love?Pub Date: May 30, 2023
ISBN: 9780593536964
Page Count: 464
Publisher: Knopf
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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