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MACBETH

The main takeaway is how remarkably contemporary the most traditional of Shakespeare’s great tragedies remains, whether it’s...

The reigning king of Scandinavian noir (The Thirst, 2017, etc.) updates the Scottish play.

Most of the cast members retain their own names, or something very like them. The setting—an indeterminate town during the drug wars of the 1970s—is, like the settings of earlier entries in the Hogarth Shakespeare series, both the same and different. Nesbø’s Inspector Macbeth is the respected leader of the SWAT team whose efficiency and honesty mark him as a natural leader when he takes charge of the otherwise spectacularly botched stakeout of a drug transfer to the heavily armed members of Norse Riders. Swiftly leapfrogging his old friend Inspector Duff to become head of Organized Crime, he’s pressed by his wife, Lady, to get ahead even further and faster by killing Chief Police Commissioner Duncan while he sleeps in the Inverness Casino, which Lady owns. As in Shakespeare, Duncan’s murder unleashes the powers of hell, which here take the form of massive and spreading corruption—everyone on every conceivable side of the law seems to be double-crossing someone else—more fully fleshed-out accounts of Lady’s background, Duff’s escape, Macbeth’s tangled alliances, and a body count even higher than the Bard’s. Reimagining Shakespeare’s royal tragedy as just another chapter in the essentially unending struggle of working towns against the familiar tokens of criminal blight, though it produces a less offbeat update than the film Scotland, PA, is eminently in the tradition of the gangster remake Joe Macbeth, and Nesbø’s antihero has a chance to get off some trenchant one-liners about himself, his legion of enemies, and his town, which “likes dead criminals better than duplicitous policemen.” On the whole, though, this brutal account is no tragedy.

The main takeaway is how remarkably contemporary the most traditional of Shakespeare’s great tragedies remains, whether it’s updated or not.

Pub Date: April 10, 2018

ISBN: 978-0-553-41905-4

Page Count: 464

Publisher: Hogarth

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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