In the plodding Go Saddle the Sea (1977), 13-year-old orphan Felix (half Spanish, half English) picaresqued his way from Spain to 1820s England in search of long-lost relatives. Now, in an even less spirited sequel, Felix—on his way home to his Spanish grandfather—is shipwrecked off the French coast: after seeing some sort of vision, he lapses into a coma, waking up with partial amnesia in a monastery on the island of St. Just de Seignanx. Some of the monks are kindly; but the abbot, Father Vespasian, interrogates Felix sharply, subjects him to flogging. . . and has demonic fire in his eyes (as well as strange healing powers). Then Felix acquires an irascible ally: just as predicted in his vision, he sees a boy hanging in a tree and saves his life. And this turns out to be 13-year-old Juan, a Basque lad on the mn from brigands and family enemies. So, despite Juan's surliness, the two boys escape from Father V. and start picaresquing toward Juan's home in Pamplona. ("I could see clearly that this was what God had in mind for me to do," notes ever-noble narrator Felix.) There are local rituals to observe, strange animals and people to gawk at, and assorted vaillains to flee from—including the shape-changing Father V., who is indeed a Satanic creature. But eventually, after an exorcism showdown, each of the lads gets home—and there's a final revelation (totally implausible) to explain why Felix and Juna were such incompatible, if devoted, travel-companions. Murky demonism, inadequate action, wordy narration: only for readers with an uncritical addiction to period adventures.
Pub Date: Oct. 28, 1983
ISBN: 0152060588
Page Count: 356
Publisher: Delacorte
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: Oct. 1, 1983
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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