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HAD I KNOWN

A MEMOIR OF SURVIVAL

An unflinching account of “the good, the bad, and the bald, ugly truth” about cancer.

The former Good Morning America host takes readers backstage in this unvarnished account of her bout with breast cancer.

A longtime advocate for women's health, Lunden (Wake Up Calls: Making the Most Out of Every Day, 2000, etc.) lives her life in the public eye. When she was diagnosed with two cancerous tumors in June 2014, she announced the news on national TV. The author describes the challenge of putting on a brave public face while undergoing rigorous treatment. Her stress peaked in September, when she was asked to appear on the cover of People without a wig to cover her chemotherapy-induced baldness. The decision to go ahead with the photo shoot was difficult, but she ultimately agreed. Her youthful appearance belied her age of 64, and her appearance was an important part of her celebrity status. “I am all about ‘sixty is the new forty,’ ” she writes, sharing her unwillingness to be called Grandma even though she adored the role. After her diagnosis with a rare type of aggressive breast cancer, the specialists she consulted were initially at odds about the best treatment protocol: whether to operate first or start with an initial round of chemotherapy before operating. The stakes were high. If the chemo treatment was successful, then the surgery would be less invasive; if it wasn’t, postponing surgery increased the risk. Lunden opted for chemotherapy, then surgery, followed by more chemotherapy and radiation. A strict diet and exercise regimen were also part of the package. The author describes her elation when the doctors determined that her tumors had shrunk dramatically after the first round of chemo. The side effects from chemotherapy were rough, but with the support of family, friends, and fans, Lunden was able to maintain her active lifestyle. Though not without its overwritten sections, the book is inspiring and informative.

An unflinching account of “the good, the bad, and the bald, ugly truth” about cancer.

Pub Date: Sept. 22, 2015

ISBN: 978-0-06-240408-4

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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