Once again, Silber has served up her unique flavor of reading joy.
Silber—the great chronicler of the webs of love and coincidence that connect people—turns her attention to drugs and sex and mercy.
Again here, in her 10th work of fiction, Silber uses her signature form—interconnected stories with a rotating point-of-view—to bound through time and around the globe. The central characters are two pairs of friends, connected by a tiny moment in the emergency room of St. Vincent’s, a long-gone hospital in Greenwich Village. Ivan and Eddie were inseparable in their 1970s glory days, but part of their connection was that they were drug buddies, and this leads to Ivan making a mistake for which he can never forgive himself. Also involved was Eddie’s girlfriend Ginger, whose later glamorous trajectory projects her image into their lives for decades. The second pair is Cara and Nini, whose chapters glitter with Silberian wisdom about relationships. When Cara looks back on her wild early romantic history, she notes that “lust was a big deal in the world around [her]; people believed in sex in a way that they don’t quite anymore.” Similarly, anthropology grad student and serial monogamist Nini can’t help but wonder, “How did anyone get anything done with love in the world?” This actually becomes her field of specialization, love and courtship in a group called the Mien based in Thailand and China. The question of whether Ivan and Eddie will reconnect hangs over the book, even as the meaning and limits of mercy are explored. It can be anything from finding you have accidentally stumbled on your guesthouse in Amsterdam after wandering the city’s streets in a stupor, to the grace offered by morphine and opium to the gravely injured, to an insight gleaned during a 12-step meeting: “I’d listened to people overwhelmed by the relief of confessing, blessed by the mercy of untold secrets told.” So…does that mean they reconnect or not? What a sophisticated trick, to create this particular form of suspense and intellectual pleasure.
Once again, Silber has served up her unique flavor of reading joy.Pub Date: Sept. 2, 2025
ISBN: 9781640097070
Page Count: 256
Publisher: Counterpoint
Review Posted Online: May 29, 2025
Kirkus Reviews Issue: July 1, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: today
Kirkus Reviews Issue: Aug. 1, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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