A brisk, wised-up and highly entertaining consideration of a crucial musical epoch’s many facets.
A key producer of England’s folk-rock greats looks back at the ’60s.
Boyd may be best known for helming unforgettable albums by Nick Drake, Fairport Convention, John & Beverly Martyn, the Incredible String Band and Vashti Bunyan, but he emerges in this memoir, originally published in England in 2006, as a sort of Zelig of ’60s music. Born in New Jersey, he got his start as a concert promoter, road manager and stage manager for a variety of great folk, blues and jazz acts; the early pages of the book are filled with wonderful backstage glimpses of Lonnie Johnson, Sister Rosetta Tharpe, Rev. Gary Davis, Duke Ellington and others. Working for George Wein at the 1965 Newport Folk Festival, he witnessed first-hand the violent birthing of folk-rock in Bob Dylan’s controversial performance, caught in a lovely fly-on-the-wall chapter. In London, he recorded Eric Clapton and Pink Floyd in their pre-stardom days and co-founded UFO, the city’s first underground rock venue. His Witchseason Productions brought the cream of the ’60s U.K. folk-rock boom to light. Returning to the U.S. in the early ’70s, he produced a memorable documentary about Jimi Hendrix for Warner Bros. Boyd’s remembrances are delivered in cool, straightforward and self-effacing style. He’s equally at home discussing the machinations of the British music biz and the eccentricities of his oddball stable of musicians (especially the Incredible String Band and the legendary Drake, a classic introvert whose essence seems elusive even to his discoverer and longtime producer). The book unfolds in leisurely fashion and allows for engaging tangents on such topics as the joys of analog recording and the inner workings of Scientology (of which Boyd was briefly an adherent). Ultimately, the author takes a conflicted view of the radical decade; his title references the white bicycles, provided as free transportation by Amsterdam revolutionaries, that were finally stolen and repainted as the free-for-all spirit of the ’60s disintegrated.
A brisk, wised-up and highly entertaining consideration of a crucial musical epoch’s many facets.Pub Date: April 1, 2007
ISBN: 1-85242-910-0
Page Count: 282
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2007
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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