by Joe Posnanski ‧ RELEASE DATE: Oct. 22, 2019
Entertaining and brimming with wonder.
Unlocking the doors to the legendary performer’s world of magic.
Noting that there are more than 500 books about Ehrich Weiss, aka Harry Houdini (1874-1926), MLB.com national columnist Posnanski (The Secret of Golf: The Story of Tom Watson and Jack Nicklaus, 2016, etc.) still delivers a jaunty and infectious biography of the famous magician and his impact on magic and popular culture. The author relates his discussions with magicians who have emulated or criticized Houdini’s magic as well as the “truest believer[s]” who have studied and written about him for years. As a young boy, writes Posnanski, “locks spoke to Houdini, and Houdini understood.” Though he said he was born in Appleton, Wisconsin, he was actually born in Budapest. This lie, discovered Posnanski, is a key to understanding how Houdini achieved his mythic status. “[Houdini] believed that magic was about the performer more than the performance,” writes the author, “and the bigger, gaudier, more dangerous, more thrilling, the better.” Posnanski’s Houdini is a consummate liar and a genius at self-promotion. He hired ghost writer H.P Lovecraft to “tell exaggerated tales about him or write short stories under the Houdini name” and planted self-aggrandizing stories about himself in the local newspapers of the towns where he performed. Posnanski is excellent at describing Houdini’s greatest escapes, from the famous Mirror Cuffs to straitjackets. The author chronicles his visit to David Copperfield’s private museum; the Houdini Museum in Scranton, Pennsylvania, where he viewed the rare Houdini film, The Grim Game; and the Academy of Magical Arts’ exclusive Magic Castle, where he finally got to meet Patrick Culliton, author of the rare and coveted Houdini: The Key. Houdini was good as a magician, Posnanski learns—he created the popular needles-in- the-mouth trick and made an elephant disappear—but he was, above all, a remarkable performer. Spoiler alert: The author does not reveal any Houdini secrets.
Entertaining and brimming with wonder.Pub Date: Oct. 22, 2019
ISBN: 978-1-5011-3723-5
Page Count: 336
Publisher: Avid Reader Press
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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