A literal as well as figurative round that cinematically captures a sense of daily rhythms at this popular gathering place.
Observations of hustle and bustle on both sides of a beach’s waterline.
Printed on a long continuous strip that, once pulled out of its sleeve, can either be examined section by folded section or opened into a large circle, Jolivet’s wordless linocut scenes record the passage of a day and a night on Elliot’s Beach, near the southern Indian city of Chennai. Viewers who begin where night gives way to dawn can see fishing boats pushed out in the background, joggers and commuters in modern or traditional dress and conveyances passing in the foreground, and goats and other animals sharing the sand in between with beached catamarans and people on diverse errands. Along with stands and small dwellings, morning crowds of vendors and visitors suddenly appear, vanish in the afternoon heat, then return in early evening until darkness brings another temporary lull. The author supplies general commentary for all of this on the sleeve, but she also invites readers to identify or make up stories about what her figures are doing—and, if so moved, to color them in. She herself colors only the ocean, with a solid blue that continues around to the loop’s inside, where schools of unlabeled but identifiable fish and other sea life (also, potentially, colorable) are thickly packed.
A literal as well as figurative round that cinematically captures a sense of daily rhythms at this popular gathering place. (diagram of display options) (Novelty. 5-7)Pub Date: Sept. 15, 2017
ISBN: 978-93-83145-67-6
Page Count: 16
Publisher: Tara Publishing
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.
The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
A serene, feel-good outing with a cozy, old-fashioned feel.
In this Japanese import, the first in a long-running series to appear in English, two girls ride bikes through a forest—with stops for clover-blossom tea and jam sandwiches.
It’s such a benign wood that Chirri and Chirra—depicted as a prim pair of identical twins with straight bob cuts—think nothing of sharing both a lunch spot and a nap beneath a tree with a bear and a rabbit. Moreover, at convenient spots along the way there is a forest cafe with a fox waiter plus “tables and chairs of all different size” to accommodate the diverse forest clientele, a bakery offering “bread in all different shapes and jam in all different colors,” and, just as the sun goes down, a forest hotel with similarly diverse keys and doors. That night a forest concert draws the girls and the hotel’s animal guests to their balconies to join in: “La-la-la, La-la-la. What a wonderful night in the forest!” Despite heavy doses of cute, the episode is saved from utter sappiness by the inclusive spirit of the forest stops and the delightfully unforced way that the girls offer greetings to a pair of honeybees at a tiny adjacent table in the cafe, show no anxiety at the spider dangling above their napping place, and generally accept their harmonious sylvan world as a safe and friendly place. Doi creates her illustrations with colored pencil, pastel, and crayon, crafting them to look like mid-20th-century lithographs.
A serene, feel-good outing with a cozy, old-fashioned feel. (Picture book. 5-7)Pub Date: Sept. 7, 2016
ISBN: 978-1-59270-199-5
Page Count: 40
Publisher: Enchanted Lion Books
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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