Back at the right pit, the snake twists into a treble clef—a charming endnote.
A snake meandering into “the wrong pit” leads readers through this appealing introduction to an orchestra and its instruments—brass, wind instruments, strings and percussion.
Children in simple uniforms perform in a sunken outdoor amphitheater framed by trees. The snake’s narration channels a child’s guilelessness, but there are sly bits, too. Coiling attentively before a cross-legged musician on a round rug, the snake quips, “That oboe is rather charming.” After presenting the violin, viola and cello in their respectively graduating sizes, the snake confesses, “I’m quite attached to the bass.” A page turn reveals a dramatic central spread: The sheepish narrator has swallowed the bass fiddle whole! Some performers quail at the snake’s presence, of course; a benign animal-control guy conducts a brief, fruitless search. Visual and textual clues reveal the adjacent setting (a zoo) by likening the music to animal sounds: As the brass section plays, the snake asks, “Is that an elephant I hear?” Wright simply depicts the adult conductor’s instructive movements: arms drawn in close for “Quiet…” and outstretched for “Loud!” Thinly applied acrylic paint in green, purple and brown reveals the canvas’ weave, while black ink contours and delineates instruments, kids and animals. Dots and dashes depict facial features, but varying skin colors and hair textures suggest a diverse, engaged community.
Back at the right pit, the snake twists into a treble clef—a charming endnote. (Picture book. 3-6)Pub Date: Aug. 19, 2014
ISBN: 978-1-59643-769-2
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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