Peter Piglet's life changes irrevocably when he chances upon a pair of golden shoes secreted under a pile of sticks, acorns, and blackbird feathers. Peter slips them on and goes about mastering the finer points of shoe locomotion—walking, skipping, climbing. He couldn't be happier as he drifts off to sleep that night, exhausted. Nor could he be sadder when he wakes up the next morning and the shoes are gone. One has been commandeered by a wrinkled old tortoise, who lost his home in a storm; now the inverted shoe serves as his golden palace. Peter is dumbstruck. A blackbird has appropriated the other shoe to replace her nest, which was carried off by the wind, and now her babies chirp happily from their golden cradle. Peter loves those shoes, but he suddenly understands that they are being put to a greater purpose, a realization that brings happiness. Rowe (The Gingerbread Man, p. 606, etc.) delivers his message straightforwardly, but without a cudgel. And as in his earlier works, he has a way with a paint brush, turning perspectives akimbo to spotlight characters in the compositions. The attention he pays to their expressions is highly entertaining. (Picture book. 5-8)
Pub Date: Oct. 15, 1996
ISBN: 1-55858-660-1
Page Count: 32
Publisher: NorthSouth
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1996
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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