A sweeping tale that offers lessons from the not-so-distant past.
Doll presents a historical saga of labor unrest, criminality, and political persuasion.
San Jose, California, known as “the Garden City,” is struggling during the Great Depression. The fruit and vegetable processing industry serves as the area’s main economic driver, but recent wage cuts have cannery workers poised to go on strike. Best friends Amelia and Victoria work on a cannery assembly line, thanks to Amelia’s well-connected bar-manager father, Angelo Gumina—the second-in-command to mob boss Gaetano Ferrone—who used his influence to secure them summer jobs. They soon find themselves fired up by activism, attending meetings and demonstrations to protest unfair wages and poor treatment at work. To evade police after a demonstration turns ugly, the girls seek refuge in the Rosen Department Store, owned by Alexander Rosen; Victoria meets Alexander’s son and heir, Michael, who’s known as “the scion of San Jose,” and their association leads to Michael being kidnapped and held for $40,000 ransom. The pressure to solve the case increases when Bureau of Investigation agent Louis Cooper gets involved, sue to rumors of mob involvement, and conflicting accounts of what really happened to Michael emerge. The apparent lack of progress in the case brings things to a fever pitch. Meanwhile, influential real estate magnate Thomas Ripley, who has the ears of both the mayor and governor, has his own agenda that involves obtaining more power, more land, and more money. Over the course of this intricate tale of politics, corruption, and shifting alliances, Doll delivers a fast-paced work of historical fiction that takes full advantage of its Prohibition-era California setting. The farming community is effectively shown to be beset by unrest, greed, and scandal, and the shifting plot will keep readers on their toes. Overall, the work has a cinematic quality, but it’s always firmly grounded in elements of real-life history; as such, it serves as a cautionary tale on how social disparities and anti-immigrant bias can be manipulated to fuel the evil plans of powerful people.
A sweeping tale that offers lessons from the not-so-distant past.Pub Date: Aug. 19, 2025
ISBN: 9798888248072
Page Count: 334
Publisher: Koehler Books
Review Posted Online: June 30, 2025
Kirkus Reviews Issue: Aug. 15, 2025
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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