A wonderful corrective for your pandemic-induced cabin fever. Yes, things could be much, much worse.
Farrow’s brutal take on the locked-room mystery presents a murder committed inside a secure group ward in the Joliette Institution for Women near Montreal in 1994.
Lady Jail doesn’t confine its residents in separate cells but parcels them out in group quarters, like the one in which eight women doing time together suddenly find their number abruptly reduced to seven. Someone has strangled Florence, who’s locked up for throwing acid in a rival’s face, in the group bathroom using a length of wire that's been smuggled in. The killer is clearly one of the other prisoners—senior inmate Doi, who attacked her daughter with a hatchet; Malka, the next oldest, who poisoned her husband; Temple, who smuggles guns for the mob; Rozlynn, who celebrated her 18th birthday by killing her father; Courtney, who stabbed her best friend to death when she caught her flirting; her inseparable pal, Jodi, who shot a man during her boyfriend’s convenience-store robbery; and newcomer Abigail, an embezzler who’s still hiding the millions she stole—unless it’s really correctional officer Isaure Dabrezil, who’s working at Lady Jail during her yearlong suspension from the Sûreté du Québec. The job of figuring out whodunit is given to DS Émile Cinq-Mars, of the Montreal Police Service fraud squad, because he arrested Abi and because Dabrezil’s presence would render any SQ investigation problematic. Farrow keeps the story’s development as intense as the claustrophobic setting until he’s ready to unleash a bravura, hyperextended denouement.
A wonderful corrective for your pandemic-induced cabin fever. Yes, things could be much, much worse.Pub Date: Feb. 2, 2021
ISBN: 978-0-7278-9073-3
Page Count: 256
Publisher: Severn House
Review Posted Online: Oct. 13, 2020
Kirkus Reviews Issue: Nov. 1, 2020
High art meets low life in a tale a lot more sympathetic to the latter.
Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.
In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.
High art meets low life in a tale a lot more sympathetic to the latter.Pub Date: Sept. 2, 2025
ISBN: 9781250370822
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Intrigue, murder, and vengeance make for a darkly enjoyable read.
A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.
In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.
Intrigue, murder, and vengeance make for a darkly enjoyable read.Pub Date: Feb. 1, 2022
ISBN: 978-1-64313-865-7
Page Count: 352
Publisher: Pegasus Crime
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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