by John Hornor Jacobs ‧ RELEASE DATE: July 3, 2012
For readers who get off on what-would-I-do? questions, this book offers satisfaction.
A doctor, her adolescent son and a trucker shelter and defend fellow survivors in the wake of a post-nuclear zombie apocalypse.
This second novel by Jacobs (Southern Gods, 2011) has all of the right elements of the bookshelf’s worth of zombie novels swarming the market in the wake of AMC’s The Walking Dead: zombies, blood, gore, terror and the gruesome mechanics of survival—but this bloody entry also offers something more in style, substance and readability. Lucy Ingersol is a doctor in a southern hospital when the world goes pear-shaped—walking, flesh-eating corpses accompanied by critical nuclear strikes in major American cities. Lucy and her son Gus survive with the help of Jim “Knock-Out” Nickerson, a burly, rough-looking truck driver with a surprisingly gentle nature. Over time, the trio and their followers build an armed fortress off of the Arkansas River, naming their home “Bridge City.” It’s rough business for the adolescent boy being groomed to lead them. “The murderhole is a twenty-by-twenty space between the inner and outer gates, ringed by a walkway about six feet above the ground and connected to the rampart. The zombie’s heads are right at our feet level,” explains Gus. “This was all my idea. Some days I’m not too happy about it.” The novel’s tenderness in places is balanced by a ferocity that pulls no punches. In one story, a woman named Tessa details her misuse at the hands of mercenaries, and her revenge. In another sequence, Gus is captured by a vicious slaver named Konstantin, tortured nearly to death and crucified. Yet there’s heart, too, like the funny sequence, “The Bureaucracy of the Dead,” where a member of the group takes minutes chronicling the terrible decisions that have to be made, often by fiat. Don’t miss the interactive map of Bridge City on Jacobs’ website.
For readers who get off on what-would-I-do? questions, this book offers satisfaction.Pub Date: July 3, 2012
ISBN: 978-1-4516-6666-3
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: June 30, 2012
Kirkus Reviews Issue: July 15, 2012
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Pierce Brown ‧ RELEASE DATE: Feb. 9, 2016
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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