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THE GODS OF NEWPORT

Another well-hewn American history lesson for Jakes's devoted fans.

Folksy storyteller Jakes (Charleston, 2002, etc.) directs a relatively economical drama of scandal and bad manners amid newly rich robber barons climbing the summer social ladder in Newport, RI.

Having cut his teeth working for Erie Railroad moguls Jay Gould and Jim Fisk after the Civil War, Samuel Driver has gotten to be a millionaire railroad baron in his own right—the break-your-knees way. Having married the good-looking hotel dancer Grace Penny, and with a grown auburn-haired daughter named Jenny, Sam the swell is blocked from cracking polite society by the nobs at Newport, however, mainly on account of bad blood between him and William K Brady III, undercut by Driver in a Wall Street bond scheme decades before. Now, in 1893, an intruder in Driver's home leaves Grace dead from a gunshot, and Sam and 18-year-old Jenny decide to build that house in Newport after all, because Grace wanted it. Mrs. Astor, Mrs. Fish and Mrs. Vanderbilt, however, must be vanquished, and especially Mrs. William Brady, Emmeline, aka the Tigress, sherry-sodden and off her rocker, who concocts the plot to ruin Jenny Driver by urging her daughter, Honoria, to befriend the girl all the while talking ill behind her back. And Honoria has her cap set on suave young architect Dickie Glossop, but once Dickie spots Jenny, he agrees to design the new Driver cottage, despite his better social instincts. Jenny has a will of her own, though, and is terribly attracted to a handsome Irish sportsman, Prince Molloy, who wins Jenny's love but pays dearly for it when roughed up by her father's thugs. Driver, naturally, aims to have his daughter married to a titled gentleman, such as the charming, brutal Count Orlov, of bogus Russian-French title, but good enough for Driver's purposes. Historical personages blend nicely with the fictional in Jakes's neatly organized saga, and the folly and ambitions of a father and rapacious businessman are exposed and forgiven.

Another well-hewn American history lesson for Jakes's devoted fans.

Pub Date: Nov. 7, 2006

ISBN: 0-525-94976-3

Page Count: 304

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2006

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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