A bright, morally unwavering worldview from an exemplary human being.
More hard-won wisdom from the late congressman, civil rights icon, and co-author of the indispensable March series.
In this collection of short observations on topics ranging from courage to patience to sports, Lewis (1940-2020) lays bare the vision and stratagems that sustained him through his lifelong, often brutal struggle for Black liberty. The author will long be remembered as a champion for Black equality as well as common decency and peace. One of the standout advocates of nonviolent political action, Lewis sought out “good trouble, necessary trouble”—such as that displayed by Rosa Parks, who “knew in her heart [that she] was right”—when the forces arrayed against Black civil rights bared their teeth. At the same time, he writes, “destruction doesn’t work. Rioting isn’t a movement. We must be constructive and not destructive. Chaos is sowing more division and discord.” Violence, writes the author, only serves to drown out injustice, surrendering the higher moral ground. As he demonstrates throughout, Lewis was a force for compassion, empathy, dignity, and self-worth, constantly pursuing justice reform, speaking out in the face of fear, and moving forward in the faith that good can come from principled, collective action. Lewis expresses himself with clarity, authenticity, and humility, all of which can be applied in nearly every arena, including health care (“a human right”), voting (“VOTE VOTE VOTE VOTE VOTE. Write that in capital letters in your notes. All over the page. Remember the time when the right to vote was denied us? I do”), the environment (“We have a moral obligation to do what we can to preserve and save this little piece of real estate”), and immigration (“Welcome home. America wants and needs you”). The author’s courage and conviction are crystal clear, and it’s also evident that he never feared death because he knew that his life had purpose.
A bright, morally unwavering worldview from an exemplary human being.Pub Date: July 13, 2021
ISBN: 978-1-5387-0712-8
Page Count: 240
Publisher: Grand Central Publishing
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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