Lovers of literature and nature will be captivated by this heartfelt tribute to place and family.
A moving memoir of a family’s love affair with the Blackfoot River in Montana, made famous by A River Runs Through It, the novella written by Maclean’s father, Norman.
As the author of this book makes clear, the Blackfoot River holds a particularly special place in Maclean family history. In 1909, the Rev. John Norman Maclean, John’s grandfather, moved to Missoula to become pastor of the First Presbyterian Church. A decade later, he got a permit to build “the family cabin, a simple log affair…at Seeley Lake, fifty-five road miles northeast of Missoula on the edge of what is now the million-plus acre Bob Marshall Wilderness.” The cabin has now been in the family’s hands for “five generations and counting.” Beginning with his earliest memories of fly-fishing with his father on the river, Maclean passionately explores the history of his family’s life in the region as they became well-respected members of the community and developed an abiding love for the land. The author also digs into deeper history, noting that for centuries, Native peoples “wore a trail along the river as they traveled through the Blackfoot Valley and across the Continental Divide, out and back to the buffalo hunting grounds in the Missouri River country to the east.” Maclean then follows the path of Meriwether Lewis, who, along with his men and a few Nez Perce guides, passed through the area after separating from William Clark. The view from Lewis and Clark Pass, writes the author, is one of the most breathtaking in Montana, a place where the landscape remains “much as it appeared centuries ago…a land with a long-term memory.” In addition to patient nature writing and an introspective approach to the literary inspiration he has received from the land, Maclean discusses the genesis of Norman’s famous book and mystery surrounding the death of one of the characters.
Lovers of literature and nature will be captivated by this heartfelt tribute to place and family.Pub Date: June 1, 2021
ISBN: 978-0-06-294459-7
Page Count: 256
Publisher: Custom House/Morrow
Review Posted Online: Feb. 17, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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