Generations may succeed generations, but Sandford’s patented investigation/action formula hasn’t aged a whit. Bring it on.
A domestic-terrorist plot gives the adopted daughter of storied U.S. Marshal Lucas Davenport her moment to shine.
Veteran oilman Vermilion Wright knows that losing a few thousand gallons of crude is no more than an accounting error to his company but could mean serious money to whomever’s found a way to siphon it off from wells in Texas’ Permian Basin. So he asks Sen. Christopher Colles, Chair of Homeland Security and Government Affairs, to look into it, and Colles persuades 24-year-old Letty Davenport, who’s just quit his employ, to return and partner with Department of Homeland Security agent John Kaiser to track down the thieves. The plot that right-winger Jane Jael Hawkes and her confederates, most of them service veterans with disgruntled attitudes and excellent military skills, have hatched is more dire than anything Wright could have imagined. They plan to use the proceeds from the oil thefts to purchase some black-market C4 essential to a major act of terrorism that will simultaneously express their alarm about the country’s hospitality to illegal immigrants and put the Jael-Birds on the map for good. But they haven’t reckoned with Letty, another kid born on the wrong side of the tracks who can outshoot the men she’s paired with and outthink the vigilantes she finds herself facing—and who, along with her adoptive father, makes a memorable pair of “pragmatists. Really harsh pragmatists” willing to do whatever needs doing without batting an eye or losing a night’s sleep afterward.
Generations may succeed generations, but Sandford’s patented investigation/action formula hasn’t aged a whit. Bring it on.Pub Date: April 12, 2022
ISBN: 978-0-593-32868-2
Page Count: 400
Publisher: Putnam
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
A fresh and clever whodunit with an engaging twist.
A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.
Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”
A fresh and clever whodunit with an engaging twist.Pub Date: July 29, 2025
ISBN: 9781805335436
Page Count: 288
Publisher: Pushkin Vertigo
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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