A lean, well-oiled narrative speeds this multilayered sci-fi story through occasionally obvious circuitry.
After accepting a Faustian bargain to be transformed into a full-body cyborg serving a nonhuman race, heroine Anomie realizes she’s part of a conspiracy deeper than she can imagine.
Miller’s tricky blend of cyberpunk, intrigue, action, racial politics and morality begins with heroine Anomie, a black woman in future San Francisco, lying mangled in a hospital room. A shady firm called Silk Road approaches her with a repugnant but evidently well-known offer: In exchange for a payout in millions of euros, she will allow her wrecked body to be replaced by a full, superstrong cybernetic prosthesis known as a “frend”—Finite Robotics Enhanced Neurosensory Development. Miller describes the long, grueling surgical process without gore but with just enough detail to get the reader’s (presumably organic) teeth grinding. Thus reborn, Anomie discovers she has leased herself to be a veritable plaything of the lumen, a noncorporeal race of software-based intelligence—think Skynet from the Terminator movies—inhabiting the bodies of various robots who have a yen for devising hideous ordeals. Apparently, if it weren’t for the physically toughened frends to amuse the powerful lumen, their whims would viciously turn on the entire human race. Anomie comes to realize that she has actually been carefully inserted into this nightmarish servitude and also in a mission to infiltrate the lumen and exploit their weaknesses. But how? And by whom? Canny readers may too easily decode the surface plot as Robert Ludlum stuff blended with Ray Kurzweil’s vision of Homo sapiens combining with machines. A big reveal at the end becomes painfully obvious midway through—Bourne Identity Theft, one might say. Nevertheless, Miller’s skillful economy of language and penchant for playing the cards close to the vest—or chest plate—works to his advantage as the tale picks up momentum/mayhem and puts an intriguing, nonstereotypical lead character through pitfalls and deadly perils of parahumanity. Ghost in the Shell fans will have a blast.
A lean, well-oiled narrative speeds this multilayered sci-fi story through occasionally obvious circuitry.Pub Date: Oct. 10, 2014
ISBN: 978-1502761156
Page Count: 256
Publisher: CreateSpace
Review Posted Online: Dec. 19, 2014
Kirkus Reviews Issue: Feb. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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