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BOOKSHOPS

A CULTURAL HISTORY

An insightful, educational, and erudite paean to bookshops.

A literate mappa mundi to bookstores.

This is the first of Spanish author Carrión’s books to be translated into English. He writes that “every bookshop is a condensed version of the world,” this book like a “cartography of a bookshop.” Entering this Borges-ian labyrinth of books, readers will encounter bookshops as “archaeological sites or junk shops,” police censorship, the lives and works of booksellers, reading as “obsession and madness,” and the “bookshop as the world.” This is no mere travel guide but rather a philosophical, reflective, wide-ranging inquiry into the world of books. Carrión began the first of his many voyages in 1998 at a bookshop in Guatemala City. He reminds us that the “oldest bookshop in the world” is in Lisbon, not far from his home in Barcelona. Along this journey, readers are guided by Montaigne and Diderot epigraphs as well as wisdom from a vast array of writers, including Goethe, Mallarmé, and Benjamin. The bookseller is a “critic and cultural activist,” and since ancient Rome, bookshops have been “spaces for establishing contact.” Carrión is excellent discussing Paris’ most famous shops, American Sylvia Beach’s Shakespeare & Company, where Joyce’s Ulysses was born, and Adrienne Monnier’s La Maison des Amis des Livres. Both also functioned as lending libraries, art galleries, hotels, and cultural centers. Carrión sees bookshops as political bastions and recounts The Satanic Verses uproar, Hitler as bestselling author, Mao Zedong’s bookshop/publishing house, and book burnings. His trip across America includes visits to New York City’s Gotham Book Mart and the Strand, Denver’s Tattered Cover, Portland’s Powells, and San Francisco’s City Lights. The author also discusses the impact of the brick-and-mortar chains and Amazon, the “supreme Virtual Bookshop,” as well as the sad story of a 100-year-old Barcelona bookshop that became a McDonald’s.

An insightful, educational, and erudite paean to bookshops.

Pub Date: Oct. 17, 2017

ISBN: 978-1-77196-174-5

Page Count: 304

Publisher: Biblioasis

Review Posted Online: July 2, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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