A perfect, well-rounded historical story that will engage readers of all ages.
For young readers, a nuanced, compassionate biography of a Navajo Code Talker.
Like many Native American children, Betoli, a Navajo boy, was taken from his family to a missionary boarding school, where he was forbidden to speak Navajo and forced to change his name to Chester. He endured the painful process of having his long hair shaved, forlornly depicted in a stark image in which black crows with outspread wings carry away the strips of his hair. Summers spent at home, immersed once again in the love, language, and culture of his people, gave him the strength to carry on. As he got older, Chester adapted as best he could to the forced assimilation. He joined the military during World War II and became one of the first Code Talkers, who used their own language to undermine the Japanese, efforts that helped to end the war. Bruchac’s story dares to go beyond the war in highlighting the postwar trauma that Chester experienced, demonstrated in a beautiful yet haunting illustration that symbolically captures his pain. This tale of a real-life Code Talker humanizes the main character by giving readers the whole picture of his connectedness to home and family, which is reinforced in Amini-Holmes’ textured paintings, which resonate on an almost ethereal level.
A perfect, well-rounded historical story that will engage readers of all ages. (author’s note, partial code key, timeline) (Picture book/biography. 6-10)Pub Date: April 3, 2018
ISBN: 978-0-8075-0007-1
Page Count: 32
Publisher: Whitman
Review Posted Online: Feb. 12, 2018
Kirkus Reviews Issue: March 1, 2018
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...
Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.
The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)Pub Date: May 2, 2017
ISBN: 978-0-399-54728-7
Page Count: 32
Publisher: Philomel
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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