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TWO TON

ONE FIGHT, ONE NIGHT: TONY GALENTO V. JOE LOUIS

Monninger artfully revives “Two Ton Tony.” You’ll never be able to say you never hoid uh da bum.

A championship match-up between Italian-American boxer Tony Galento and legend Joe Louis is the focus here, but also the lens through which this brisk and entertaining history looks at the state of the nation in the 1930s.

The pride of Orange, NJ, “Two Ton Tony” Galento was never the glamorous sort. Squat, hairy, balding, Galento brawled more than he boxed, sporting a crushing left hook that earned him 56 knockouts in 110 career matches. Heavyweight Galento was also a media darling: Beer, cigars, late nights and large meals formed the bulk of his training regimen. He could yodel like Tarzan, and, when asked how he thought he’d do against an opponent, he answered, “I’ll moida da bum.” His nickname came not from his impressive girth, but from his first regular day job, hauling ice. Joe Louis—elegant and in his prime, already the undisputed champ for two years and successful six-time defender—fought Galento one June night in 1939 at Yankees Stadium. Although Galento lost in the fourth round to the fast-hitting, technically flawless Louis, Galento was “champion of the world for two seconds,” having knocked Louis down in round three. Monninger traces the rise to fame of Galento and Louis, the despair and hope of the nation during the Great Depression and the impact of big money and the media on sports-as-entertainment. Most compelling throughout, however, is Monninger’s presentation of the gluttonous, fun-loving Galento, who rode his two seconds of glory into a follow-up career as a professional wrestler (fighting everything from bears to, once, an octopus) and, more successfully, as a saloon owner.

Monninger artfully revives “Two Ton Tony.” You’ll never be able to say you never hoid uh da bum.

Pub Date: Nov. 7, 2006

ISBN: 1-58642-115-8

Page Count: 208

Publisher: Steerforth

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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