The quality remains consistently high for this series, linking edibles and emotions with excitement and ease.
A technological treatment goes awry for these fan favorites, creating monstrously good fun.
When Sir French Toast and Lady Pancake start to turn green with decay (gasp!), a new treatment offered by Professor Biscotti malfunctions, turning them into children. Baron von Waffle, their enemy-turned-friend from previous episodes, is struck with remorse for recommending the procedure and tampering with nature. But the shrunken versions of Toast and Pancake do not remember him. Thinking he is a monster, they run away over various obstacles made of other foods. In this fourth installment of the adventures of these clever fridge friends, the syncopated text shines, building the suspense and pace with rhyming couplets. The illustrations continue their gastronomic creativity, with Fjords of Farfalle and Bran Canyons and buildings created out of everyday foodstuffs for each picture. In the end, Waffle cooks up a sweet solution for returning the shrunken Toast and Pancake to normal. The underlying theme about fixing problems one has created is subtle, and forgiveness reigns among the entire royal cast. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 30.3% of actual size.)
The quality remains consistently high for this series, linking edibles and emotions with excitement and ease. (Picture book. 4-8)Pub Date: Sept. 1, 2020
ISBN: 978-1-4549-3427-1
Page Count: 40
Publisher: Sterling
Review Posted Online: July 14, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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