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WHAT OLLIE SAW

From the Netherlands, an appreciation of imagination.

A young pig uses vivid imagination—and possibly poor eyesight?—against sibling woes.

Ollie’s a pale-pink pig in a blue beret. He’s also a younger brother. His sister, who’s “bigger. And older,” is weighing him down. She scowls and looks disdainful; she’s a sourpuss, raining on parades. The intimate narrative voice (“Look, there’s Ollie. Maybe you already know him?”) says that Ollie’s sister “grizzle[s]”—a word most readers will learn right here—“a lot.” On family outings, Ollie’s sister calls cows “dull,” cars “dumb,” and an excursion boat a “slowpoke.” Ollie, rebelling, sees not cows but water buffalo; not cars but a circus parade with acrobats; and no plain slowpoke boat but a pirate ship—on which his sister’s tied to the mast. Ollie’s fantasy flights work so well as resistance to negativity that it’s baffling when, almost halfway through, a new possible cause for what he sees emerges: Ollie needs glasses. The sudden theme of weak eyesight never quite finds its place, nor does Ollie ever admit that he does need glasses, though readers see the evidence on the classroom blackboard—or does Ollie simply value imaginative play higher than teacher approval? In which case, why was the early theme so sister-focused? It’s OK—Posthuma’s neat borders, pale colors inside fine outlines, and steady visual restraint in even the outlandish scenes make for a tale that’s quirky yet calming.

From the Netherlands, an appreciation of imagination. (Picture book. 3-6)

Pub Date: April 6, 2021

ISBN: 978-1-64614-039-8

Page Count: 56

Publisher: Levine Querido

Review Posted Online: March 1, 2021

Kirkus Reviews Issue: March 15, 2021

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PAPA DOESN'T DO ANYTHING!

A tale of intergenerational bonding to be shared by grandparents and grandchildren.

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In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.

Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.

A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)

Pub Date: May 13, 2025

ISBN: 9781250393975

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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