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THE DOLL-MASTER AND OTHER TALES OF TERROR

For readers who like the frisson of psychological horror without too much commitment.

The prolific Oates (The Man Without a Shadow, 2016, etc.) delivers a sextet of creepy stories to disturb your nights and cast shadows across your days.

In the title story, a man waxes eloquent about the doll collection he began keeping as a child when his cousin died of leukemia. Very quickly, it becomes apparent that his “dolls” have a much more sinister significance. In another story, a woman remembers a traumatic time in her past when she was asked to take care of her favorite teacher’s house and was instead assaulted and left for dead. A lonely young girl meets a new friend with a big, terrifying secret. A troubled man defends the actions that have landed him in jail as the front page of every newspaper brands him a racist. On holiday in the Galapagos, a wife begins to suspect her dashing older husband is trying to kill her—or is it merely a case of survival of the fittest? In the most effective of these stories, a paranoid narrator, seemingly modeled after so many of Poe’s unstable characters, calmly plans and executes a perfect murder—only to have the tables turned. Oates’ signature move, at least in these stories, is to end in medias res, or in the middle of things—unlike other authors, who tend to start there. When this works, it causes a lingering sense of dread and discomfort, but sometimes it is merely frustrating, leaving one with a “lady or tiger” sensation. The collection provides some chills and some domestic psychological warfare much in the classic vein of Ruth Rendell, but it does feel a bit uneven and underdeveloped. What it lacks: deep, well-plumbed explorations of truly troubled and disturbing psyches.

For readers who like the frisson of psychological horror without too much commitment.

Pub Date: May 3, 2016

ISBN: 978-0-8021-2488-3

Page Count: 304

Publisher: Mysterious Press

Review Posted Online: Feb. 16, 2016

Kirkus Reviews Issue: March 1, 2016

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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