by Juan Villoro ; translated by Yvette Siegert ‧ RELEASE DATE: May 2, 2017
A zesty tale that balances darkness and light with aplomb.
A powerful morality tale with laughs.
This is award-winning Mexican writer Villoro's first novel to be translated into English. While his story collection, The Guilty (2015), displayed his postmodernist leanings, this novel, originally published in 2012, showcases his edgy black humor and absurdist side. Meet Tony Góngora, our laid-back, heavy-drinking narrator, a 53-year-old former rock musician. (Picture a Mexican sort-of version of the Dude, Jeff Bridges' character from The Big Lebowski.) He's lost part of a finger and limps, and due to extensive drug use, he's also lost part of his memory, which he’s trying to get back. He builds and runs underwater sound systems for aquariums at The Pyramid resort in Kukulcán, on the Caribbean coast. It and other resorts, now vacant, rise up “along the shore like vertical mausoleums, circled by seagulls and ravaged by plants and rats.” The sand’s washing away. Oil rigs and city water have contaminated the sea and are now threatening “the second-largest coral reef in the world.” Thanks to manager Mario Müller, Tony’s friend and fellow ex–band member, and investor El Gringo Peterson, The Pyramid is hanging on because of its unique tourist offerings. Now a “Sodom with piña coladas,” it provides “extreme tourism.” Guests can experience “recreational paranoia” like fake kidnappings and other controlled dangers. Tony has the hots for Sandra, an illegal immigrant from Iowa who works there as a yoga/kung fu instructor. Then Ginger Oldenville, one of the resort’s diving instructors, turns up dead—shot in the back with a spear gun. In this warped utopia, the death loomed “like the black cloud of an approaching hurricane.” Villoro mixes genres (noirish murder mystery, eco-thriller) to fashion a wickedly satirical romp of Mexico as a “country of enormous delusions.” But that’s not all. It’s also a thoughtful tale of friendship and love.
A zesty tale that balances darkness and light with aplomb.Pub Date: May 2, 2017
ISBN: 978-0-80760-021-4
Page Count: 256
Publisher: Braziller
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
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by Juan Villoro ; translated by Alfred MacAdam
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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