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HERE'S TO YOU, RACHEL ROBINSON

Blume returns to the trio of seventh graders introduced in Just as Long as We're Together (1987), where Stephanie's narration was colored by her parents' new separation. Here, superachiever Rachel takes center stage with her account of the stresses created when her brother Charles is kicked out of boarding school before he's finished ninth grade. Charles's description of his family is one-sided but cruelly on target: Dad (who gave up law for teaching) is a "wimp," Mom (just appointed a judge) an "ice-queen," acne-scarred older sister Jessica a "potato head"—while Rachel, who at year's end is just beginning to realize that she won't be able to play the flute, take leading roles in drama and a peer-counseling program, do advanced study at a local college, and be class president (all things suggested to her) is Mom's "clone," and more than Charles can bear. His acting out is genuinely, painfully obnoxious; it's a credit to Blume's skill that his vulnerability also emerges, and that the rebalanced family dynamics following his disruptive return is sufficiently muted to be credible. With a good tutor and a stronger bond with Dad, Charles mellows enough for Rachel to see him as more than a destroyer of family peace- -and for him to admit she may be developing a sense of humor. A good, solid, working-the-family-problem story, with sure appeal for fans. (Fiction. 11-14)

Pub Date: Oct. 1, 1993

ISBN: 0-531-06801-3

Page Count: 192

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1993

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WHAT THE MOON SAW

When Clara Luna, 14, visits rural Mexico for the summer to visit the paternal grandparents she has never met, she cannot know her trip will involve an emotional and spiritual journey into her family’s past and a deep connection to a rich heritage of which she was barely aware. Long estranged from his parents, Clara’s father had entered the U.S. illegally years before, subsequently becoming a successful business owner who never spoke about what he left behind. Clara’s journey into her grandmother’s history (told in alternating chapters with Clara’s own first-person narrative) and her discovery that she, like her grandmother and ancestors, has a gift for healing, awakens her to the simple, mystical joys of a rural lifestyle she comes to love and wholly embrace. Painfully aware of not fitting into suburban teen life in her native Maryland, Clara awakens to feeling alive in Mexico and realizes a sweet first love with Pedro, a charming goat herder. Beautifully written, this is filled with evocative language that is rich in imagery and nuance and speaks to the connections that bind us all. Add a thrilling adventure and all the makings of an entrancing read are here. (glossaries) (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-73343-7

Page Count: 272

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2006

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UP FROM THE SEA

It’s the haunting details of those around Kai that readers will remember.

Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.

With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.

It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)

Pub Date: Jan. 12, 2016

ISBN: 978-0-553-53474-0

Page Count: 272

Publisher: Crown

Review Posted Online: Sept. 15, 2015

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