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WHEN GREEN BECOMES TOMATOES

POEMS FOR ALL SEASONS

This combination of poetry and art in praise of the familiar, natural world is sweetly, successfully dazzling.

Forty-eight short poems follow the four seasons, beginning and concluding on March 20, a bird singing, “each tweet poking / a tiny hole / through the edge of winter,” as spring comes round again.

Fogliano’s intimate, graceful verse and Morstad’s precise, bright illustrations evoke the ways that weather, water, sky, and growing things change throughout the year. Fogliano catalogs both dramatic and quotidian pleasures and acknowledges the boredom that comes with too much mud, rain, or winter. Each poem is dated, as in a journal; every word, including the pronoun “I,” is lowercase; commas, parentheses, and occasional sets of quotation marks are the only punctuation. These quietly conversational poems include moments of lively energy—wind on a hilltop or the jubilant dizziness of a summer meadow. Morstad’s exquisite gouache-and–pencil-crayon art is well-matched to the delicacy of the poetry. A lovely young girl with straight black hair and brown skin appears alone or with friends throughout; readers may identify her as the voice in many of the poems. Bright flowers lean on slender stalks; in a double-page spread that evokes Time of Wonder, stars wink in the vastness of a late-summer sky. The tiniest points of color draw the eye so that even mud and snow are hardly dreary.

This combination of poetry and art in praise of the familiar, natural world is sweetly, successfully dazzling. (Picture book/poetry. 4-10)

Pub Date: March 1, 2016

ISBN: 978-1-59643-852-1

Page Count: 56

Publisher: Neal Porter/Roaring Brook

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE CRAYONS GO BACK TO SCHOOL

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.

The Crayons head back to class in this latest series entry.

Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)

Pub Date: May 16, 2023

ISBN: 9780593621110

Page Count: 32

Publisher: Philomel

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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