A lovely prose poem that gives a bitter history lesson.
Otsuka, whose first novel (When the Emperor Was Divine, 2003) focused on one specific Japanese-American family’s plight during and after internment, takes the broad view in this novella-length consideration of Japanese mail-order brides making a life for themselves in America in the decades before World War II.
There are no central characters. A first-person-plural chorus narrates the women’s experiences from their departure from Japan until they are removed from their homes and shipped to the camps, at which point the narration is taken over by clueless whites. Rather than following an individual story, Otsuka lists experience after experience, piling name upon name. Voyaging across the Pacific to California, the women’s emotions range from fear to excitement, but most, even those leaving behind secret lovers, are hopeful. Reality sets in when they meet their husbands, who are seldom the men they seemed from their letters and photographs. And the men’s reactions to their new wives vary as much as the women’s. Some are loving, some abusive. For all their differences, whether farm workers, laundrymen, gardeners or struggling entrepreneurs, they share a common outsider status. Soon the majority of women who stay married—some die or run off or are abandoned—are working alongside their husbands. They begin to have babies and find themselves raising children who speak English and consider themselves American. And the women have become entrenched; some even have relationships with the whites around them; many are financially comfortable. But with the arrival of the war against Japan come rumors. Japanese and white Americans look at each other differently. Loyalty is questioned. Anti-Japanese laws are passed. And the Japanese themselves no longer know whom to trust as more and more of them disappear each day. Once they are truly gone, off to the camps, the whites feel a mix of guilt and relief, then begin to forget the Japanese who had been their neighbors.
A lovely prose poem that gives a bitter history lesson.Pub Date: Aug. 1, 2011
ISBN: 978-0-307-70000-1
Page Count: 144
Publisher: Knopf
Review Posted Online: May 3, 2011
Kirkus Reviews Issue: May 15, 2011
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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