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BLACK PROFILES IN COURAGE

A LEGACY OF AFRICAN-AMERICAN ACHIEVEMENT

A spirited collection of stories interspersed with the athlete-author's often clichÇd comments and observations. Former NBA basketball star Abdul-Jabbar (Kareem, 1990) contends that the accomplishments of African-Americans have—for the most part—deliberately been written out of the history books. Penned in a conversational tone, this book is meant to ``inform, encourage and inspire'' those ``young Americans who most need a heritage to embrace.'' Among those profiled here are some relatively obscure African-Americans, including Peter Salem, a slave who helped repel two British assaults at Bunker Hill, and Lewis H. Latimer, Thomas Edison's chief patent expert, who helped Edison usher in the age of electricity. Well-known African- Americans, such as Frederick Douglass, Harriet Tubman, and Rosa Parks, are also covered. In addition to celebrating the achievements of blacks, the author is out to demythologize the accomplishments of supportive whites. Abraham Lincoln, for example, is referred to as ``the Late Emancipator,'' who ``deliberately delayed while black people died.'' Abdul-Jabbar surmises that historians have constantly denied credit to those blacks who were at the forefront of our nation's major historical events because ``it was too much of a contradiction to enlist blacks in the fight for freedom and then deny them those rights on the basis of their skin color.'' While many of Abdul-Jabbar's contentions are certainly valid, there is one major flaw to his thesis. Whereas his generation's textbooks did omit the contributions of blacks, this is not the case in the multicultural '90s. Many of the nation's current textbooks celebrate the contributions of minorities (especially Native Americans and African-Americans), often at the expense of dead white males. Even a decade after JFK's title, Black Profiles in Courage would have been a slam dunk. In 1996, though, it seems curiously behind the times. (Author tour)

Pub Date: Oct. 1, 1996

ISBN: 0-688-13097-6

Page Count: 256

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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