Highly original stories that speak to the challenges of being human in the 21st century.
A collection of stories that artfully reframe issues including parenting, aging, illness, and life during the Covid-19 pandemic.
“He hypnotized me, and I loved him”: That’s the beginning of “The Hypnotist,” a story about the narrator’s lifelong connection with her father. “The hypnosis depended on a sort of innocence, a bargain between parent and child.” As if turning a shirt inside-out and finding a beautiful new pattern, Bender—a National Book Award finalist for her story collection Refund (2015)—does a brilliant job of discovering novel metaphors and creating futuristic plots to re-examine some of life’s most taken-for-granted relationships and situations. In “The Listener,” one of the collection’s standouts, a therapist named Saul suffers from a mysterious illness (perhaps chronic fatigue syndrome) that saps all his energy. Bender finds the perfect way to show how Saul’s invisible illness feels by having him kidnapped at gunpoint by a man pretending to be a new patient. At the bank, where his captor has taken him to withdraw money, now posing as his son, no one can see what’s happening: “What did it take for someone to see another?” he wonders, a question that cuts right to the heart of how well anyone can truly know other people. Other stories are incisive allegories for our age. In “The Shame Exchange,” which won a Pushcart Prize, elected officials who have no shame take on the shame of ordinary people selected by a lottery, with the idea that they might begin to “govern with sensitivity and in a kindly way,” while in “The Court of the Invisible,” people begin disappearing because of the cruelty of everyday life. Not a lot happens in many of these stories; sometimes that feels like the point, as in “Data” and “Arlene Is Dead,” two tales that capture the disorienting claustrophobia of the pandemic, though other pieces might have been trimmed without losing anything.
Highly original stories that speak to the challenges of being human in the 21st century.Pub Date: May 6, 2025
ISBN: 9781640095700
Page Count: 304
Publisher: Counterpoint
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
A masterpiece.
Two young Indian writers discover their conjoined destinies by leaving home, coming back, connecting, disconnecting, and swimming in the ocean at Goa.
Sonia’s grandfather, the lawyer, and his friend, the Colonel, are connected by a weekly chess game and a local tradition of families sharing food, “paraded through the neighborhood in tiffin carriers, in thermos flasks, upon plates covered in napkins tied in rabbit ears.” Shortly after Desai’s magnificent third novel opens, the two families are also connected by a marriage proposal. Upon hearing that Sonia is feeling lonely at college in Vermont—loneliness? Is there anything more un-Indian?—and unaware that she is romantically involved with a famous, much older painter, her elders deliver a hilariously lukewarm letter proposing that she be introduced to Sonny, the Colonel’s grandson. Sonny is living in New York working as a copy editor at The Associated Press, and he, too, has a partner no one knows about. Sonny’s family feels they are being asked to give up their son to balance out some long-ago bad investment advice from the Colonel; on the other hand, they would very much like to get the other family’s kebab recipe. The fate of this half-hearted setup unfurls over many years and almost 700 delicious pages that the author has apparently been working on since the publication of The Inheritance of Loss (2006), which won the Booker Prize and National Book Critics Circle Award. You can almost feel the decades passing as the novel becomes increasingly concerned with the process of novel-writing; toward the end, Sonia can’t stop thinking about whether, if she writes all the stories she knows, “these stories [would] intersect and make a book? How would they hold together?” Desai’s trust in her own process pays off, as vignettes of just a page or two (Sonia’s head-spinning tour of a museum with the great artist; Sonny’s lightning-strike theory that only people who have cleaned their own toilet can appreciate reading novels) intersect with the novel’s central obsessions—love, family, writing, the role of the U.S. in the Indian imagination, the dangers faced by a woman on her own—and come to a perfectly satisfying close.
A masterpiece.Pub Date: Sept. 23, 2025
ISBN: 9780307700155
Page Count: 704
Publisher: Hogarth
Review Posted Online: June 6, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
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