A child’s question to his grandma opens a window to another time and place in this intimate, intergenerational conversation. Grandma answers young Jamal’s question about whether she was ever a little girl by going back even further than that, first to when she was the tenth “baby on the way” for a rural family, then, after her birth, describing how she was carried around the house in “takin’ up ceremonies” (“somethin’ probably passed down from slavery times. People don’t do that no more”), and as the “lap baby,” how she displaced the next eldest sib to the status of “knee baby.” Using a palette of pale, thickly brushed blues and greens to give his flat-perspective scenes a subdued tone, Qualls alternates between Grandma’s spacious-looking urban kitchen and the more crowded country setting, where family and neighbors gather round to provide help following the birth; his figures, young and old, bear quiet, reflective expressions in keeping with the general tone. In the end, suggesting that Jamal may one day himself be asked the same question, Grandma offers to tell him about when he was the baby on the way—and what young listeners won’t want to hear their own versions of that story? (Picture book. 5-8)
Pub Date: Oct. 6, 2005
ISBN: 0-374-37361-2
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
At her best, Rylant’s (The Ticky-Tacky Doll, below, etc.) sweetness and sentiment fills the heart; in this outing, however, sentimentality reigns and the end result is pretty gooey. Pandora keeps a lighthouse: her destiny is to protect ships at sea. She’s lonely, but loves her work. She rescues Seabold and heals his broken leg, and he stays on to mend his shipwrecked boat. This wouldn’t be so bad but Pandora’s a cat and Seabold a dog, although they are anthropomorphized to the max. Then the duo rescue three siblings—mice!—and make a family together, although Rylant is careful to note that Pandora and Seabold each have their own room. Choosing what you love, caring for others, making a family out of love, it is all very well, but this capsizes into silliness. Formatted to look like the start of a new series. Oh, dear. (Fiction. 6-8)
Pub Date: Sept. 1, 2002
ISBN: 0-689-84880-3
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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