by Karen Piper ‧ RELEASE DATE: Aug. 14, 2018
A little-known corner of the Atomic Age comes into focus through Piper’s skilled storytelling.
A smart, self-aware memoir of life in a Cold War outpost.
If you’re a government agency, there are three reasons to hide your activities from public view: because they really need to be kept secret, because the activities are fundamentally useless, or because “you want to rip the money bag open and get out a shovel, because there is no accountability whatsoever.” So an official told Piper (Literature and Geography/Univ. of Missouri; The Price of Thirst: Global Water Inequality and the Coming Chaos, 2014, etc.) in what amounts to a mantra for all of China Lake, a test facility in the hottest, most forbidding part of the Mojave Desert. The author writes of a childhood spent in a household headed by two project workers at China Lake. It was a world of missiles and launches and secrets in a time when the world seemed to be falling to bits—there was Vietnam, for one thing, and then the Manson family zipping around in the nearby desert in their dune buggies (“The Mansons even shopped at our 7-Eleven in Ridgecrest, where Christine and I bought our candy”). By Piper’s account, it was a preternaturally strange place in a strange time punctuated by Amway rallies and enlivened with unhealthy spats of interoffice politics. But interesting things happened there, too, including experiments to turn the weather into a weapon, to say nothing of the business of turning hardscrabble China Lake, a place of prewar brothels and hermits, into a place suitable for straight-arrow military personnel, civilian contractors, and their families. Piper’s account moves among the personal and the universal, with fine small coming-of-age moments. The narrative threatens to unravel a little when, following her father’s death, Piper acts on clues he left behind to follow his footsteps in other arenas of the Cold War, but she pulls everything into an effective—and affecting—whole meant to “ensure that history was not erased.”
A little-known corner of the Atomic Age comes into focus through Piper’s skilled storytelling.Pub Date: Aug. 14, 2018
ISBN: 978-0-399-56454-3
Page Count: 336
Publisher: Viking
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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