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AUTUMN

An engagingly wide-ranging set of meditations.

The acclaimed author delivers a host of brief but insightful observations about the small matters of everyday life.

In the My Struggle series, Knausgaard mined his life but called it fiction, crafting an epic story with a novelistic shape. This book, the first in a quartet with seasonal themes, is explicitly autobiographical but less personally revealing, looking outward instead of inward. Contemplating the upcoming birth of his daughter, the author asks, “what makes life worth living?” The answer: details. The book is built on an assortment of short essays on a wide range of topics, including frogs, photographs, beds, and tin cans. “Autumn” is a framing device, but not every essay engages with the season. What truly unites these pieces is Knausgaard’s sensibility, which is one part Montaigne (an urge to address big issues), one part Nicholson Baker (an eye for picayune detail), and one part Annie Dillard (an admiration for nature and an elegant prose style). Watching beekeepers, he finds an intersection of man and nature that "shows human beings at their most subservient and perhaps also at their most beautiful.” “Fever” triggers memories of his parents doting on his childhood illnesses. (“With fever came privileges. Meals in bed. Grapes. New comic books.”) “Forgiveness” is a sketch about his wonderment at how humans could culturally arrive at a capacity for mercy. Considering bird migrations, he finds not a clichéd sense of freedom but evidence of nature’s boundaries. Because each chapter is brief, usually about three pages, Knausgaard can’t deliver more than glancing consideration of any one subject, and three pages each on female genitalia and vomit is more than plenty. But in the aggregate, the pieces feel remarkably substantive, a call to pay closer attention to the routine stuff in our lives and to allow ourselves to be thunderstruck by their beauty.

An engagingly wide-ranging set of meditations.

Pub Date: Aug. 22, 2017

ISBN: 978-0-399-56330-0

Page Count: 240

Publisher: Penguin Press

Review Posted Online: May 1, 2017

Kirkus Reviews Issue: May 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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