Scientific genius is a superpower of its own and does not need this pandering treatment.
Marie Curie was a superhero!
This first entry in the My Super Science Heroes series of highly fictionalized biographies details Curie’s brilliant achievements but pits her against a cartoonish archenemy determined to stop her. Super Evil Nemesis aims at world domination by halting the spread of knowledge. He sends his minion, Mr. Opposition, to thwart young Maria Skłodowska. Try as he might, Mr. O fails. Maria excels at her studies; after high school, since universities are closed to women, she pursues her lessons secretly. Moving to Paris, she adopts the name Marie and earns degrees in physics and math. After Marie marries Pierre Curie, the two collaborate, winning the Nobel Prize in physics in 1903 with Henri Becquerel. In 1911, Marie wins another Nobel—for chemistry. This is a fact-filled, admiring examination. Unfortunately, however, her casting as a superheroine against a comic-book stock villain trivializes her. Not helping is the author’s breathless, demeaning remark that “She even loves mathematics and physics!” to demonstrate Curie’s youthful studiousness. Colorful and child-appealing, though static, illustrations feature humans resembling wide-eyed, pink-cheeked marionettes (all present white). Nemesis is a blue, sharp-toothed figure with striped horns and a crown; Mr. O is a red, four-legged, spiny-backed, counterintuitively cute creature sporting a fedora. Numerous “ALERT!” sidebars, a glossary, and a timeline bolster the factual load.
Scientific genius is a superpower of its own and does not need this pandering treatment. (websites) (Picture book/biography. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-7282-1356-9
Page Count: 48
Publisher: Sourcebooks eXplore
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Readers will agree that “Melba Doretta Liston was something special.”
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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