DEAD & BREAKFAST

A vampire couple’s dream of domestic bliss is upended by murder, suggesting that being undead isn’t nearly as dangerous as being different.

Putting a new spin on long-term relationship goals, vampires Arthur Miller (no, not that one) and Salvatore Conte are ready to retire from centuries of chaos and settle into a quiet life as innkeepers in Trident Falls, Oregon. The bed and breakfast they’ve acquired, the Iris Inn, isn’t exactly booming, but Salvatore is sure that will all change when the town gets a sense of his refined taste and style. Maybe their latest guest, new city manager Nora Anderson, will provide a chance to turn the whole thing around. After all, in a little town like Trident Falls, word of mouth is everything, so the potential for an audience with the mayor could make their business boom. But Arthur and Salvatore’s dreams of quiet domesticity and financial success are buried when the mayor’s found dead—right in their begonias—with two suspicious puncture wounds in his neck. The town’s sheriff, an unemployed actor with a chip on his shoulder, threatens to call the Federal Paranormal Investigators if Arthur and Salvatore can’t find a more likely culprit. The duo scramble to prove their innocence, aided by an eclectic supporting cast: a latte-slinging werewolf, an elven coroner, and an eerily calm Nora, all of whom join Arthur and Salvatore on a journey through the political undertones of otherness, hoping for a happy ending.

This undead tale would have benefited from more blood in its veins, but it still has a pulse.