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TO CATCH AN EARL

A competent but unremarkable romance.

In 1812, an infamous jewel thief falls in love with the man who's supposed to be catching her.

Emmy Danvers and her brother, Luc, were proud of their father even though he was a notorious jewel thief known as Nightjar. He didn’t steal just for money; instead, his patriotic goal was to recover the crown jewels of France from locations all across Europe and return them to his home country when the Bourbon monarchy regained its throne. But when their father died, Emmy and Luc intended to let the legend of Nightjar die with him. However, after Napoleon’s defeat at Waterloo, the siblings are contacted by a man named Emile Danton, who knows they're still in possession of the missing jewels, which he wants for himself along with three final stones Nightjar hadn't collected yet. Emmy has no choice but to respond to the blackmail by stealing the stones herself since Luc was wounded at Trafalgar. The thefts put her squarely at odds with Alexander Harland, Earl of Melton. Years earlier, Emmy and Alex shared an incendiary kiss at a masquerade ball, and now he’s on her trail as an investigator with the Bow Street Runners. Alex and Emmy are pitted against each other as rivals on opposite sides of the law, and sharp-eyed readers will recognize and enjoy Bateman’s homage to the 1955 film To Catch a Thief. Although the novel has a high-energy premise, there is little tension in the execution of the plot or the romance. Due to some off-page detective work from other Bow Street Runners, Alex quickly and effortlessly deduces that Emmy must be Nightjar; but his early discovery of her identity saps all the excitement out of the promised duel of wits. Scenes of Emmy’s heists are pedestrian rather than heart-pounding. Even the romance develops without much drama, for neither Alex nor Emmy can deny their mutual attraction and they desperately want to be together.

A competent but unremarkable romance.

Pub Date: June 30, 2020

ISBN: 978-1-250-30611-1

Page Count: 336

Publisher: St. Martin's

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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THE LOVE HYPOTHESIS

Fresh and upbeat, though not without flaws.

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An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.

Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.

Fresh and upbeat, though not without flaws.

Pub Date: Sept. 14, 2021

ISBN: 978-0-593-33682-3

Page Count: 384

Publisher: Berkley

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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